Cultural Studies

Conversation with Lou

Conversation with Lou (Alongside) is a vivid collection of Tome Hsienhua Loulin’s writings that reflect on issues directly linked to our daily lives and rarely being examined seriously. Hsienhua is currently based in a southern Hubei city named Qianjiang and sometimes stays in Wuhan, another city in Hubei.

Articles

New Studies and Theories

Focusing on the world of socially, culturally, and economically marginalized groups, New Studies and Theories is a collection recoding our society around people overlooked at large.

Traveling to Faraway Land, then, Farewell to It

Leafing through the pages of certain geography magazines full of picturesque attractions, I saw, in pictures, Tianshan mountain, Qilian mountains, and the Taklamakan Desert in the northwestern part of China.

Another Moon

by Tome Loulin Above me spreads the hot, blue mid-day sky,Far down the hillside lies the sleeping lakeLazily reflecting back the sun,And scarcely ruffled by the little breezeWhich wanders idly through the nodding ferns.The blue crest of the distant mountain, topsThe green crest of the hill on which I sit;And it is summer, glorious, deep-toned … Continue reading “Another Moon”

Wandering through the Alleys

I saw people walking on the street and though it is a small city, I feel being small is also like being on the way to our very origin.

Somewhere

Standing before a souvenir store in the palace museum, though the postcards depicting palaces Chinese imperial members lived in a stately air were still sold hanging on the stock stall, I was no longer interested in buying them, instead, I had watched those cards for a while and then gone.

Where We Live Now

We were in the office waiting for the clock to tick to five so that we could have our dinner taken but in this food desert where our office located was nothing particularly delicious to eat so we were not particularly expecting that time to come. But my colleagues won’t keep silent simply because the … Continue reading “Where We Live Now”

Lou Hsienhua’s Writing

  • Traveling to Faraway Land, then, Farewell to It
    Leafing through the pages of certain geography magazines full of picturesque attractions, I saw, in pictures, Tianshan mountain, Qilian mountains, and the Taklamakan Desert in the northwestern part of China.
  • Soul-searching Reflections on Culture, Resistance, and Our Voice
    With Mydans’ photography, this framed painfulness becomes eternal. One even without prior knowledge about photojournalism would know how hard and heart-rendering it is to experience war, indeed, any kind of war, whether firsthand or second.
  • Extraordinary, Critical Seeings
    There are many different ways of seeing and how others see us, as Lou Hsienhua puts it, impacts the way we deal with the world as we try hard to make sure there is no distorted image about us drawn by others. When coming to the problem of self-imagining, the way we see ourselves, Hsienhua thinks, should never be dictated by anyone else but us. Resistant youths nowadays who try to claim their independence may declare that they are not what you see, meaning what you see about them is inaccurate, distorted, and, most importantly, subjective. Seeing, overall, is a complicated matter.
  • This Tranquility, Long Missed
    With years passing unnoticed, remembering what made us today becomes a necessity. As this unprecedented change that impacts the way we live ripples across almost every corner of the world, to live has become, it occurred, a specific way of realizing and remembering what we cannot live without.
  • Writing As Remembering
    It is with the help of written language that our thoughts and ideas could be more widely disseminated, known, understood, critically examined or misinterpreted in the public so we won’t easily surrender our past to time.
  • Walking Along the Way Our Sun Goes
    The sparrows that sometimes came to stay before my window were singing. Outside of the window, the trees whose names I was unable to utter were shining under the sun.
  • Radical Authenticity: Looking at Abdellatif Kechiche’s Films
    This authentic way of telling and showing something that is too hard to be told and presented properly brought a sharper contrast between the romantic imagination and brutal everydayness in actuality, as the story presented by the film is already too tough to experience, let alone review it.
  • On Self-emancipation
    There is something deeper inside of us that is calling, urging us to escape something else; yet, hardly could we find out where and what it is. Something, it’s always the notion of something that is most hard to be named precisely or defined properly, so is our notion of self-liberation, which is hardly an … Continue reading “On Self-emancipation”
  • 回顾
    我问是否可以连他的音箱,他点头,表同意。那时已是晚夏,湖边的微风拂过,归去时我走在后面些,旁边有自动售水机,走进才发现灯光下都是昆虫,好在水不受影响。
  • Myself These Years in Retrospect, A Notetaking
    It seemed like a remindful aphorism to me that though years could have passed unnoticed, some memories were still as vivid as ever when being reminisced about thanks to the photographs taken before. Photography itself is like a partially immortalized and visualized bit of time, which as a collective concept is itself hardly an accurate … Continue reading “Myself These Years in Retrospect, A Notetaking”